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Born to a French father and a Filipina mother, sculptor Olivia d’Aboville was raised in a bicultural household. Schooldays were spent at the French School of Manila, summers in France. At the early age of four, she started acrylic and oil painting, joining exhibits with children from the Atelier, a painting workshop conducted by Manila-based French artist Madame Raymonde Le Gal. After high school, Olivia left for Paris to study art for six years. It was on her first year of preparatory school at the Atelier de Sèvres that she learned about textile design, which she soon decided to specialize in. Olivia earned a diploma in Arts and Textile Arts at the École Supérieure des Arts Appliqués - Duperrè, a prestigious French school of applied arts in Paris, known for its excellence in textile and fashion. It was during these years that she developed her skills in textile design, learning the traditional and contemporary techniques of tapestry and weaving.
The idea of creating a variety of three-dimensional shapes and objects through weaving unconventional materials like plastic spoons, metal pins and everyday water bottles soon became Olivia’s obsession. She says, “Synthetic materials and metals are very appealing to me. In my creative practice, I work with materials in their current state and transform them, regenerating these materials into something completely different.” Upon encountering an interesting and unusual material, Olivia thinks of how she can manipulate the object—twist, cut, stretch or stitch—in such a way that it will take on an entirely different identity.


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